Before the worlds, there was an ocean.

क्षीरसागरThe eternal ocean, before the worlds.
अनन्तशयनOn the endless serpent, Narayana rests.
ॐ नमो नारायणाय
Vishnu on Ananta, the Endless Serpent
Markandeya Viewing Krishna in the Cosmic Ocean
Anantashayana Vishnu with Lakshmi, his avatars above him, Badami monuments Karnataka
Vishnu Battles Madhu and Kaitabha, from a Markandeya Purana
Vishnu and Lakshmi on Garuda
Kurma Avatar by Raja Ravi Varma
Varaha Raja Ravi Varma
Dasavataralu - Narasimha avatar of Lord Vishnu on Sri Venkateshwara temple, Guntur
Das Avataras, Ten Incarnations of Vishnu (verso), from a Kalighat album
Dasavataralu - Vamana avatar of Lord Vishnu on Sri Venkateshwara temple, Guntur
Rama and Lakshmana Fighting Ravana, from a Dashavatara (Ten Incarnations [of Vishnu]) series
Battle between monkeys and demons, from the “Shangri” Ramayana
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana
Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album
Enthroned Rama and Sita receive homage from their monkey and bear Allies, from the Yuddha Kanda (Book of the War) of a Ramayana (Rama’s Journey)
The Birth of Krishna, from a Sursagar of Surdas (Indian, c. 1480–1580)
A Serpent Protects Vasudeva Taking His Infant Son Krishna to Safety
Krishna Quells the Serpent Kaliya, from a Bhagavata Purana
Krishna Lifting Mount Govardhan
Krishna Vanquishing the Crane-Demon Bakasura
Krishna Fluting
Krishna and the Gopis Gather for Rasamandala
Radha and Krishna meet in the forest during a storm
Krishna and Satyabhama Storm the Citadel of Naraka, folio 97 from a Bhagavata Purana
Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Purana
Draupadi Rescued from Abduction, from a Mahabharata
Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire, from Adi-parva (volume one) of the Razm-nama (Book of Wars) adapted and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614) from the Sanskrit Mahabharata
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
Battle Scene at Kurukshetra from the Mahabharata War (verso), from a Kalighat album
Illustration of the Mahabharata
Illustration to the Mahabharata
Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna
A Composite Illustration from the Razmnama - Mughal Painting 1616-17
Arjuna BattlesWith the Kauravas At Kuruksheta Bhagavad Gita
Krishna Arjuna Gita
Sri Krishna preaching Gita Upadesh to Arjun - Unknown, Kashmir School - Google Cultural Institute
India 40's Print KRISHNA SHOWING HIS UNIVERSAL FORM TO ARJUNA
Vishnu
Yoga Narashimha, Vishnu in his Man-Lion Avatar
Varaha, Boar Incarnation of Vishnu
Vishnu
Vishnu Attended by Chakrapurusa and Shankhapurusa
Vishnu with Shri and Bhu
Cosmic Form of Krishna, India, Tamil Nadu, 1400s AD, bronze - Norton Simon Museum - Pasadena, CA - DSC03731
Vishnu and Shri Supported by Garuda
Vishvarupa Vishnu, Kingdom of Kashmir, Jammu & Kashmir, 6th century CE
ॐ नमो नारायणाय

Ananta Narayana

The preserver. The one who rests on the endless serpent, and descends whenever the world forgets itself.

He is the stillness beneath every storm, and the hand that returns when dharma falls.

Stone relief of Vishnu reclining on the serpent Shesha with Lakshmi, his avatars carved above him, Badami
I · Kshira Sagara

Between universes, he rests.

On the ocean of milk, Vishnu lies on the coils of Shesha, the serpent whose name means “what remains.” Lakshmi sits at his feet.

From his navel a lotus rises, and on it Brahma opens his eyes to begin creation again. Above him in this Badami relief, carved over a thousand years ago, his avatars wait their turn.

Anantashayana relief, Badami, Karnataka
Matsya, painted sculpture in a golden shrine nicheKurma, painted sculpture in a golden shrine nicheVaraha, painted sculpture in a golden shrine nicheNarasimha, painted sculpture in a golden shrine nicheVamana, painted sculpture in a golden shrine nicheParashurama, painted sculpture in a golden shrine nicheRama, painted sculpture in a golden shrine nicheKrishna, painted sculpture in a golden shrine nicheBuddha, painted sculpture in a golden shrine nicheKalki, painted sculpture in a golden shrine niche
II · Dashavatara
१
Matsya
मत्स्य
Satya Yuga · The fish

Dasavataralu, Sri Venkateshwara temple, Guntur
III · Lila

The play of God.

Four centuries of painters, from Mewar to Basohli to the bazaars of Kalighat, kept telling his stories. Hover any painting to read its name.

Krishna
The Birth of Krishna, from a Sursagar of Surdas (Indian, c. 1480–1580)
The Birth of Krishna, from a Sursagar of Surdas (Indian, c. 1480–1580)
A Serpent Protects Vasudeva Taking His Infant Son Krishna to Safety
A Serpent Protects Vasudeva Taking His Infant Son Krishna to Safety
Krishna Quells the Serpent Kaliya, from a Bhagavata Purana
Krishna Quells the Serpent Kaliya, from a Bhagavata Purana
Krishna quells the serpent Kaliya (verso), from a Kalighat album
Krishna quells the serpent Kaliya (verso), from a Kalighat album
Krishna Lifting Mount Govardhan
Krishna Lifting Mount Govardhan
Krishna Lifts Mount Govardhan, from a Bhagavata Purana
Krishna Lifts Mount Govardhan, from a Bhagavata Purana
Krishna Lifting Mount Govardhan, from a Persian translation of the Bhagavata Purana, c. 1625
Krishna Lifting Mount Govardhan, from a Persian translation of the Bhagavata Purana, c. 1625
Krishna Vanquishing the Crane-Demon Bakasura
Krishna Vanquishing the Crane-Demon Bakasura
Krishna Fluting
Krishna Fluting
Krishna summoning the cows
Krishna summoning the cows
Krishna and the Gopis Gather for Rasamandala
Krishna and the Gopis Gather for Rasamandala
Radha and Krishna meet in the forest during a storm
Radha and Krishna meet in the forest during a storm
Krishna’s longing for Radha, from a Gita Govinda (Song of the Cowherd) of Jayadeva
Krishna’s longing for Radha, from a Gita Govinda (Song of the Cowherd) of Jayadeva
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana
Adoration of young Krishna
Adoration of young Krishna
Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”
Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”
Krishna and Satyabhama Storm the Citadel of Naraka, folio 97 from a Bhagavata Purana
Krishna and Satyabhama Storm the Citadel of Naraka, folio 97 from a Bhagavata Purana
Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Purana
Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Purana
Balarama and Krishna
Balarama and Krishna
Akrura and Kritavarma flee Dvaraka, page from the "Large Basohli" Bhagavata Purana
Akrura and Kritavarma flee Dvaraka, page from the "Large Basohli" Bhagavata Purana
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"
Rama
Rama and Lakshmana Fighting Ravana, from a Dashavatara (Ten Incarnations [of Vishnu]) series
Rama and Lakshmana Fighting Ravana, from a Dashavatara (Ten Incarnations [of Vishnu]) series
Battle between monkeys and demons, from the “Shangri” Ramayana
Battle between monkeys and demons, from the “Shangri” Ramayana
Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana
Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana
Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album
Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album
Enthroned Rama and Sita receive homage from their monkey and bear Allies, from the Yuddha Kanda (Book of the War) of a Ramayana (Rama’s Journey)
Enthroned Rama and Sita receive homage from their monkey and bear Allies, from the Yuddha Kanda (Book of the War) of a Ramayana (Rama’s Journey)
Rama, Sita, and Lakshmana in the forest
Rama, Sita, and Lakshmana in the forest
Feast where Vishnu decides he will incarnate as King Dasharatha’s sons, from Chapters 14–15 of the "Bala Kanda" (Book of Childhood) of a Ramayana (Rama’s Journey)
Feast where Vishnu decides he will incarnate as King Dasharatha’s sons, from Chapters 14–15 of the "Bala Kanda" (Book of Childhood) of a Ramayana (Rama’s Journey)
Kurma Avatar by Raja Ravi Varma
Kurma Avatar by Raja Ravi Varma
Varaha Raja Ravi Varma
Varaha Raja Ravi Varma
Dasavataralu - Rama avatar of Lord Vishnu on Sri Venkateshwara temple, Guntur
Dasavataralu - Rama avatar of Lord Vishnu on Sri Venkateshwara temple, Guntur
Gajalakshmi: Lakshmi with Elephants
Gajalakshmi: Lakshmi with Elephants
Narayana
Vishnu on Ananta, the Endless Serpent
Vishnu on Ananta, the Endless Serpent
Markandeya Viewing Krishna in the Cosmic Ocean
Markandeya Viewing Krishna in the Cosmic Ocean
Vishnu Battles Madhu and Kaitabha, from a Markandeya Purana
Vishnu Battles Madhu and Kaitabha, from a Markandeya Purana
Vishnu and Lakshmi
Vishnu and Lakshmi
Das Avataras, Ten Incarnations of Vishnu (verso), from a Kalighat album
Das Avataras, Ten Incarnations of Vishnu (verso), from a Kalighat album
Divine couple seated in a lotus blossom
Divine couple seated in a lotus blossom
Sheshashayi - Laxminarayan by DHURANDHAR MV
Sheshashayi - Laxminarayan by DHURANDHAR MV
Raja Ravi Varma, Seshanarayana (Oleographic print)
Raja Ravi Varma, Seshanarayana (Oleographic print)
Vishvarupa Vishnu LACMA M.83.248.1
Vishvarupa Vishnu LACMA M.83.248.1
Vishnu
Vishnu
Vishnu with Shri and Bhu
Vishnu with Shri and Bhu
Standing Vishnu with Attendants
Standing Vishnu with Attendants
Cosmic Form of Krishna, India, Tamil Nadu, 1400s AD, bronze - Norton Simon Museum - Pasadena, CA - DSC03731
Cosmic Form of Krishna, India, Tamil Nadu, 1400s AD, bronze - Norton Simon Museum - Pasadena, CA - DSC03731
Vishnu Riding on Garuda
Vishnu Riding on Garuda
Raja Ravi Varma's painting of Lakshmi standing on a lotus
Lakshmi, Raja Ravi Varma, Ravi Varma Press
Shri

She rose from the churning of the ocean and chose him. Wherever he descends, she descends too.

यत्र योगेश्वरः कृष्णो यत्र पार्थो धनुर्धरः ।
तत्र श्रीर्विजयो भूतिर्ध्रुवा नीतिर्मतिर्मम ॥
Vishnu and Lakshmi riding Garuda, c. 1750
Vishnu and Lakshmi on Garuda, c. 1750
Kalighat painting of Gajalakshmi with elephants
Gajalakshmi, Kalighat, c. 1890
IV · Mahabharata

The field of dharma.

Two armies of one family faced each other at Kurukshetra. Arjuna asked his charioteer to drive between them. He saw his teachers and his grandsire, and he put down his bow.

Scroll →
Subhadra, the half sister of Krishna, drives a chariot away from Dwarka with Arjuna and Krishna inside
Out of DwarkaSubhadra drives the chariot with Arjuna beside her.
Draupadi Rescued from Abduction, from a Mahabharata
Draupadi rescuedFrom a Mahabharata, c. 1615.
Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire, from Adi-parva (volume one) of the Razm-nama (Book of Wars) adapted and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614) from the Sanskrit Mahabharata
Born of fireDhrishtadyumna rises from the sacrificial flame, 1598.
A Composite Illustration from the Razmnama - Mughal Painting 1616-17
Razmnama, 1616–17Akbar’s court had the epic translated into Persian and painted.
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
GhatotkachaBhima’s son and his demons in the Bhishma Parva.
A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
The charioteerFrom the Razmnama, 1616–17.
Arjuna BattlesWith the Kauravas At Kuruksheta Bhagavad Gita
Arjuna at KurukshetraEighteen days of war, foretold and unavoidable.
Battle Scene at Kurukshetra from the Mahabharata War (verso), from a Kalighat album
The fieldKalighat, c. 1890.
Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna
AbhimanyuSeven warriors surround Arjuna’s son.
Illustration of the Mahabharata
The epicIllustration, c. 1800.
Krishna Arjuna Gita
God holds the reinsThe man holds the bow.
The number eighteen
18parvas, the books of the Mahabharata
18days of war at Kurukshetra
18akshauhinis in the field, eleven against seven
18chapters of the Gita, spoken before the first arrow
V · Vishvarupa Darshana · Gita, chapter 11
मन्यसे यदि तच्छक्यं मया द्रष्टुमिति प्रभो ।
योगेश्वर ततो मे त्वं दर्शयात्मानमव्ययम् ॥
“If you think I can bear the sight, Lord of yoga, then show me your imperishable self.”ARJUNA · 11.4
न तु मां शक्यसे द्रष्टुमनेनैव स्वचक्षुषा ।
दिव्यं ददामि ते चक्षुः पश्य मे योगमैश्वरम् ॥
“You cannot see me with these eyes of yours. I give you divine sight. Behold my sovereign power.”KRISHNA · 11.8
दिवि सूर्यसहस्रस्य भवेद्युगपदुत्थिता ।
यदि भाः सदृशी सा स्याद्भासस्तस्य महात्मनः ॥
“If a thousand suns rose at once in the sky, their light might resemble the splendour of that great being.”SANJAYA · 11.12
तत्रैकस्थं जगत्कृत्स्नं प्रविभक्तमनेकधा ।
अपश्यद्देवदेवस्य शरीरे पाण्डवस्तदा ॥
“There, in the body of the God of gods, Arjuna saw the whole universe gathered in one place, divided in countless ways.”SANJAYA · 11.13
अनेकबाहूदरवक्त्रनेत्रं पश्यामि त्वां सर्वतोऽनन्तरूपम् ।
नान्तं न मध्यं न पुनस्तवादिं पश्यामि विश्वेश्वर विश्वरूप ॥
“Arms, bellies, mouths and eyes without number. I see no end of you, no middle, no beginning, Lord of all, whose form is everything.”ARJUNA · 11.16
अनादिमध्यान्तमनन्तवीर्यमनन्तबाहुं शशिसूर्यनेत्रम् ।
पश्यामि त्वां दीप्तहुताशवक्त्रं स्वतेजसा विश्वमिदं तपन्तम् ॥
“Without beginning, middle or end, of infinite power and countless arms, the moon and the sun your eyes, your mouth a blazing fire, you burn this whole universe with your radiance.”ARJUNA · 11.19
द्यावापृथिव्योरिदमन्तरं हि व्याप्तं त्वयैकेन दिशश्च सर्वाः ।“The space between heaven and earth, and every direction, is filled by you alone.”ARJUNA · 11.20
वक्त्राणि ते त्वरमाणा विशन्ति दंष्ट्राकरालानि भयानकानि ।
केचिद्विलग्ना दशनान्तरेषु सन्दृश्यन्ते चूर्णितैरुत्तमाङ्गैः ॥
“They rush into your terrible mouths with their fearsome tusks. Some are seen caught between your teeth, their heads crushed.”ARJUNA · 11.27
यथा नदीनां बहवोऽम्बुवेगाः समुद्रमेवाभिमुखा द्रवन्ति ।“As the many torrents of rivers race toward the ocean, as moths fly into a blazing fire, so the worlds rush into your flaming mouths.”ARJUNA · 11.28–29
कालोऽस्मिI am Time.“Mighty, the destroyer of worlds, come forth to gather in the peoples.”KRISHNA · 11.32
नमः पुरस्तादथ पृष्ठतस्ते नमोऽस्तु ते सर्वत एव सर्व ।
अनन्तवीर्यामितविक्रमस्त्वं सर्वं समाप्नोषि ततोऽसि सर्वः ॥
“Salutations to you before, and behind, and on every side, O All. Infinite in power, boundless in might, you pervade everything; you are everything.”ARJUNA · 11.40
किरीटिनं गदिनं चक्रहस्तमिच्छामि त्वां द्रष्टुमहं तथैव ।
तेनैव रूपेण चतुर्भुजेन सहस्रबाहो भव विश्वमूर्ते ॥
“I long to see you as before, crowned, with mace and discus in hand. Take again your four-armed form, thousand-armed one, whose body is the universe.”ARJUNA · 11.46
दृष्ट्वेदं मानुषं रूपं तव सौम्यं जनार्दन ।
इदानीमस्मि संवृत्तः सचेताः प्रकृतिं गतः ॥
“Seeing this gentle human form of yours again, Janardana, I am myself once more.”ARJUNA · 11.51
Darshan

Stand where Arjuna stood.

Step onto the chariot at Kurukshetra and speak to Krishna in your own words, in English or Hindi. He answers from the Gita, chapter and verse, and if you ask, He will show you His universal form.

VI · Srimad Bhagavad Gita

The song of the Lord.

Seven hundred verses in eighteen chapters, sung in the Bhishma Parva. Sanjaya relays it to the blind king Dhritarashtra. Each chapter is a yoga, a way of joining.

Kashmir school painting of Krishna teaching the Gita to Arjuna
Sri Krishna teaching the Gita to Arjuna, Kashmir school
Verse for today

VII · Japa

One hundred and eight.

ॐ नमो नारायणाय, the eight-syllable mantra of Narayana. A mala has 108 beads and a guru bead, the meru, which is never crossed. Tap for each repetition, or press the space bar.

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